{"title":"2024 The Discovery","description":"","products":[{"product_id":"102010p-crossing-2-1-albury-original-painting","title":"Original Painting | Albury | Crossing: 2.1 | 200 x 100 cm","description":"\u003ch2\u003eTitle: Albury\u003c\/h2\u003e\n\n\u003cp\u003e\u003cstrong\u003eParadox:\u003c\/strong\u003e You can see everything and move nothing.\u003c\/p\u003e\n\n\u003ch3\u003eThe Story\u003c\/h3\u003e\n\u003cp\u003eI painted this when I was living between Albury and Wodonga — a remote, cross-border place where the energy was pure but had not yet found its voice. The land held something real that nobody around me could see. The hills, the river, the light — all present, all waiting. I was waiting too. I did not know what for, but the weight of that quiet knowing pressed into every layer of paint I put down.\u003c\/p\u003e\n\n\u003ch3\u003eThe Crossing\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eCrossing 2.1 Awakening via Holding — Holding the Awareness.\u003c\/strong\u003e The warm terrain holds everything visible — hills, river, eucalyptus, light — without moving any of it toward expression. This is the crossing where awareness opens for the first time and has nowhere to go, where seeing arrives complete but the body has not followed. The golden stillness across the canvas is not rest — it is the precise weight of perception before it knows what to do with itself.\u003c\/p\u003e\n\n\u003ch3\u003ePresence\u003c\/h3\u003e\n\u003cp\u003eThis wide-format landscape uses heavy impasto with palette knife and brush to hold an entire terrain in a single field of warm, undisturbed awareness.\u003c\/p\u003e\n\n\u003ch3\u003eSpecialised Pigments\u003c\/h3\u003e\n\u003cp\u003eAcrylic and ink on canvas with mineral and earth pigments. Heavy impasto technique built up with palette knife and brush layering, creating substantial physical texture across the surface.\u003c\/p\u003e\n\n\u003ch3\u003eDisplay Suggestions\u003c\/h3\u003e\n\u003cp\u003eMeditation room, entrance hallway, open living space — grounding presence through quiet awareness.\u003c\/p\u003e","brand":"Summer Jiang","offers":[{"title":"200 x 100 \/ Rolled Original Painting (+≥6cm wrap)","offer_id":47810129658115,"sku":"102010P-200_x_100-Rolled_Original_Painting","price":10000.0,"currency_code":"AUD","in_stock":true},{"title":"200 x 100 \/ Stretched (4.2cm depth)","offer_id":47810140471555,"sku":"102010P-200_x_100-Stretched_(4.2cm_depth)","price":10574.0,"currency_code":"AUD","in_stock":true},{"title":"200 x 100 \/ Natural Oak Floating Framed (+3cm) (5.5cm depth)","offer_id":47810140504323,"sku":"102010P-200_x_100-Natural_Oak_Floating_Framed_(+3cm)_(5.5cm_depth)","price":10958.0,"currency_code":"AUD","in_stock":true},{"title":"200 x 100 \/ Black Oak Floating Framed (+3cm) (5.5cm depth)","offer_id":47810140537091,"sku":"102010P-200_x_100-Black_Oak_Floating_Framed_(+3cm)_(5.5cm_depth)","price":10958.0,"currency_code":"AUD","in_stock":true},{"title":"200 x 100 \/ White Oak Floating Framed (+3cm) (5.5cm depth)","offer_id":47810140569859,"sku":"102010P-200_x_100-White_Oak_Floating_Framed_(+3cm)_(5.5cm_depth)","price":10958.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0699\/0525\/2611\/files\/102010P_200x100_hero1.jpg?v=1772439595"},{"product_id":"11014p-crossing-2-7-between-two-worlds-original-painting","title":"Original Painting | Between Two Worlds | Crossing: 2.7 | 100 x 140 cm","description":"\u003ch2\u003eTitle: Between Two Worlds\u003c\/h2\u003e\n\n\u003cp\u003e\u003cstrong\u003eParadox:\u003c\/strong\u003e The complete vision rests at the edge of beginning.\u003c\/p\u003e\n\n\u003ch3\u003eThe Story\u003c\/h3\u003e\n\u003cp\u003eI have always loved water — it is where I disappear. Waterfalls have their own magic where the sound takes you somewhere your mind cannot hold. This painting came at a moment in my life when I had seen everything clearly — the vision was complete, luminous, satisfying. But I had not moved. The figure sitting at the threshold is me, resting in that exact pause between knowing and beginning.\u003c\/p\u003e\n\n\u003ch3\u003eThe Crossing\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eCrossing 2.7 Awakening via Living Dao — The Mind Surrenders.\u003c\/strong\u003e At 2.7, the vision is complete and weightless — the most coherent expression of the Awakening row, where every question has an answer and every piece fits. The golden upper world holds this finished knowing while the purple realm below remains uncharted territory that seeing alone cannot enter. The figure rests at the threshold where the mind's work ends and the body's journey has not begun.\u003c\/p\u003e\n\n\u003ch3\u003ePresence\u003c\/h3\u003e\n\u003cp\u003eA dual-world vertical composition that physically splits consciousness between a fully realised golden realm above and an uncharted purple architecture below, with heavy impasto mineral pigments creating two distinct atmospheres within a single surface.\u003c\/p\u003e\n\n\u003ch3\u003eSpecialised Pigments\u003c\/h3\u003e\n\u003cp\u003eAcrylic mineral pigments on linen canvas. Heavy impasto application with palette knife and broad brush layering. 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Sitting there I realised how much of what I thought I knew was just reflection — not the thing itself. The bush was alive with colour I had never noticed before because I was always moving through it too fast. This painting came from the moment I stopped and let the doubt in. Not the doubt that something was wrong, but the doubt that what I had been certain of was ever the full picture.\u003c\/p\u003e\n\n\u003ch3\u003eThe Crossing\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eCrossing 2.2 Awakening via Sensing — Sensing the Doubt.\u003c\/strong\u003e The figure sits at the edge of still water where every colour is both real and reflected — where what you see and what you thought you knew split apart. This is the crossing where awareness begins to test its own beliefs against what it actually perceives, where the comfort of certainty dissolves into genuine inquiry. The vivid bush landscape holds both the question and the questioner in the same unresolved field.\u003c\/p\u003e\n\n\u003ch3\u003ePresence\u003c\/h3\u003e\n\u003cp\u003eA vibrant figurative landscape where a seated nude figure meets an immersive pool of reflected colour, painted in bold gestural strokes with an Australian bush palette that captures the raw moment of seeing without performing.\u003c\/p\u003e\n\n\u003ch3\u003eSpecialised Pigments\u003c\/h3\u003e\n\u003cp\u003eAcrylic on canvas with mineral pigments. Bold gestural brushwork with palette knife and brush layering, building vivid colour fields across the full surface.\u003c\/p\u003e\n\n\u003ch3\u003eDisplay Suggestions\u003c\/h3\u003e\n\u003cp\u003eLiving room, creative studio, private retreat — awakens perception through colour and stillness.\u003c\/p\u003e","brand":"Summer Jiang","offers":[{"title":"120 x 160 \/ Rolled Original Painting (+≥6cm wrap)","offer_id":47810210038019,"sku":"21216P-120_x_160-Rolled_Original_Painting","price":9600.0,"currency_code":"AUD","in_stock":true},{"title":"120 x 160 \/ Stretched (4.2cm depth)","offer_id":47810212561155,"sku":"21216P-120_x_160-Stretched_(4.2cm_depth)","price":10138.0,"currency_code":"AUD","in_stock":true},{"title":"120 x 160 \/ Natural Oak Floating Framed (+3cm) (5.5cm depth)","offer_id":47810212593923,"sku":"21216P-120_x_160-Natural_Oak_Floating_Framed_(+3cm)_(5.5cm_depth)","price":10498.0,"currency_code":"AUD","in_stock":true},{"title":"120 x 160 \/ Black Oak Floating Framed (+3cm) (5.5cm depth)","offer_id":47810212626691,"sku":"21216P-120_x_160-Black_Oak_Floating_Framed_(+3cm)_(5.5cm_depth)","price":10498.0,"currency_code":"AUD","in_stock":true},{"title":"120 x 160 \/ White Oak Floating Framed (+3cm) (5.5cm depth)","offer_id":47810212659459,"sku":"21216P-120_x_160-White_Oak_Floating_Framed_(+3cm)_(5.5cm_depth)","price":10498.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0699\/0525\/2611\/files\/21216P_120x160_hero1_c296a711-d4a5-47ae-b772-cf257a605911.jpg?v=1776937215"},{"product_id":"41014p-crossing-2-2-missed-original-painting","title":"Original Painting | Missed | Crossing: 2.2 | 100 x 140 cm","description":"\u003ch2\u003eTitle: Missed\u003c\/h2\u003e\n\n\u003cp\u003e\u003cstrong\u003eParadox:\u003c\/strong\u003e You test the water but never ask who is testing.\u003c\/p\u003e\n\n\u003ch3\u003eThe Story\u003c\/h3\u003e\n\u003cp\u003eI painted this in a place I kept coming back to — a creek in the bush where the water was warm and the light came through the trees in patches. I was drawn to it because it was the kind of place where you stop performing. Nobody there. Just the water and whatever you brought with you. I painted what I saw — a woman entering water she did not fully know. The hat was the last thing she was holding from the world she came from.\u003c\/p\u003e\n\n\u003ch3\u003eThe Crossing\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eCrossing 2.2 Awakening via Sensing — Sensing the Doubt.\u003c\/strong\u003e The figure enters the water carrying what she knew — and the water does not confirm it. This is the crossing where the first real questions begin, where awareness that has just opened meets a world that no longer matches the old certainty. The gesture of wading in is the gesture of testing: not yet swimming, not yet committed, but no longer standing on familiar ground.\u003c\/p\u003e\n\n\u003ch3\u003ePresence\u003c\/h3\u003e\n\u003cp\u003eA figurative waterscape of a woman wading into a bush creek, rendered in loose gestural brushwork where the boundary between figure and landscape dissolves into shared colour and light.\u003c\/p\u003e\n\n\u003ch3\u003eSpecialised Pigments\u003c\/h3\u003e\n\u003cp\u003eAcrylic on canvas with mineral pigments. Loose gestural brushwork with transparent washes and impasto highlights, building depth through layered colour application.\u003c\/p\u003e\n\n\u003ch3\u003eDisplay Suggestions\u003c\/h3\u003e\n\u003cp\u003eBedroom, reading nook, private bathroom — intimate presence through quiet immersion.\u003c\/p\u003e","brand":"Summer Jiang","offers":[{"title":"100 x 140 \/ Rolled Original Painting (+≥6cm wrap)","offer_id":47810212823299,"sku":"41014P-100_x_140-Rolled_Original_Painting","price":7000.0,"currency_code":"AUD","in_stock":true},{"title":"100 x 140 \/ Stretched (4.2cm depth)","offer_id":47810215149827,"sku":"41014P-100_x_140-Stretched_(4.2cm_depth)","price":7443.0,"currency_code":"AUD","in_stock":true},{"title":"100 x 140 \/ Natural Oak Floating Framed (+3cm) (5.5cm depth)","offer_id":47810215182595,"sku":"41014P-100_x_140-Natural_Oak_Floating_Framed_(+3cm)_(5.5cm_depth)","price":7753.0,"currency_code":"AUD","in_stock":true},{"title":"100 x 140 \/ Black Oak Floating Framed (+3cm) (5.5cm depth)","offer_id":47810215215363,"sku":"41014P-100_x_140-Black_Oak_Floating_Framed_(+3cm)_(5.5cm_depth)","price":7753.0,"currency_code":"AUD","in_stock":true},{"title":"100 x 140 \/ White Oak Floating Framed (+3cm) (5.5cm depth)","offer_id":47810215248131,"sku":"41014P-100_x_140-White_Oak_Floating_Framed_(+3cm)_(5.5cm_depth)","price":7753.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0699\/0525\/2611\/files\/41014P_100x140_hero1.jpg?v=1772448698"},{"product_id":"51220p-crossing-1-7-forgotten-original-painting","title":"Original Painting | Forgotten | Crossing: 1.7 | 120 x 200 cm","description":"\u003ch2\u003eTitle: Forgotten\u003c\/h2\u003e\n\n\u003cp\u003e\u003cstrong\u003eParadox:\u003c\/strong\u003e Everything is finished and nothing has started.\u003c\/p\u003e\n\n\u003ch3\u003eThe Story\u003c\/h3\u003e\n\u003cp\u003eThis painting came from a time when I had done everything I knew how to do and the doing stopped meaning anything. The tree by the water was just standing there — finished. Not dying, not growing. Done. I recognised that feeling in my own body. The colours came out muted because the energy was not pushing anywhere. It was the quietest painting I ever made and the heaviest.\u003c\/p\u003e\n\n\u003ch3\u003eThe Crossing\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eCrossing 1.7 Dormancy via Living Dao — The Body Surrenders.\u003c\/strong\u003e The tall form stands and its reflection completes it — nothing is missing, nothing is reaching. This is the crossing where the physical world cycle finishes, where mastery has been so thorough that the drives themselves go quiet. The muted palette and broken colour fragments are not decay — they are the precise stillness of a life that has completed its first round and does not yet know what comes next.\u003c\/p\u003e\n\n\u003ch3\u003ePresence\u003c\/h3\u003e\n\u003cp\u003eA tall semi-abstract composition where a massive tree form and its water reflection create a vertical axis of completion, rendered in heavy impasto with muted tones and unexpected colour fragments.\u003c\/p\u003e\n\n\u003ch3\u003eSpecialised Pigments\u003c\/h3\u003e\n\u003cp\u003eAcrylic and ink on canvas with mineral pigments. Heavy impasto technique with palette knife creating substantial surface texture. 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Everything before it was preparation — doing what I was taught, painting what I thought I should. This one came through differently. The colours were too loud, the sky was wrong, and the figure was me sitting in a place I had not found yet. I painted it before I understood what was starting. Looking back, this was the start — not of a season but of everything that came after.\u003c\/p\u003e\n\n\u003ch3\u003eThe Crossing\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eCrossing 2.2 Awakening via Sensing — Sensing the Doubt.\u003c\/strong\u003e The figure sits in full colour facing a world that no longer looks the way it used to — the pink sky, the saturated greens, the molten reflections are all familiar landscape seen for the first time through awakened eyes. This is the crossing where the comfort of what was known cracks open and the senses flood with information that the old framework cannot contain. 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Something in the landscape was fighting — not the water against the rock but something underneath both of them. I felt it in my body as I painted. The red came out before I planned it. I was angry at things I could not name and this painting took all of that and put it somewhere I could see it. It was the first time I let the fight onto the canvas without trying to resolve it.\u003c\/p\u003e\n\n\u003ch3\u003eThe Crossing\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eCrossing 1.3 Dormancy via Breaking — Breaking the Static.\u003c\/strong\u003e The bold red streak cuts through dark rock like a force that has nowhere to go — reactive, unowned, burning against what contains it. This is the crossing where friction with the world is genuine development happening without a witness, where every collision opens new ground that the person moving through it cannot yet recognise. 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The figures are not posing — they are being moved. There was a moment where I understood the life I had carefully designed was never the life that was coming for me. Every plan was a wall between me and the real current. This painting is the moment the wall broke.\u003c\/p\u003e\n\n\u003ch3\u003eThe Crossing\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eCrossing 3.5 Resistance via Revealing — Revealing the Force.\u003c\/strong\u003e The figures stand exposed against the cliff face, arms thrown wide — not reaching for anything, but releasing everything. What was planned falls like water against rock, and what remains is the force that was always underneath. 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In this landscape the calm holds without strain, sitting at the edge of a question that has not yet been asked.\u003c\/p\u003e\n\u003ch3\u003ePresence\u003c\/h3\u003e\n\u003cp\u003eBuilt in thick palette-knife passages where the cream sky, pink central valley and orange ridges hold light in the paint rather than reflecting it from the surface.\u003c\/p\u003e\n\u003ch3\u003eSpecialised Pigments\u003c\/h3\u003e\n\u003cp\u003eAcrylic on linen canvas. 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